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Mark Nichols personally invites you into his archives. Take a gander this Seattle composer/director's "etchings" if you will. All the projects here were written, recorded, arranged, directed or produced by Mark, who has steadfastly worked in the dingiest black box theater to the nastiest beer soaked stage, and continues to write up to 4 musicals a year. This website contains over 30 hours of recorded music and video. Feel free to use it for your own entertainment. Pass it on or play it for friends, and most of all use it! Any commercial uses must be cleared with The Really Big Production Company. No request is or idea is too small or too big. We look forward to hearing from you.
 
Theater
Caucasian Chalk Circle
23 Seagull Variations
Joe Bean
Little Boy Goes To Hell
The Potato Boy
Searching For Father Christmas
The Collected Works of Billy The Kid
Bessemer's Spectacles
Willy Wonka
A Lie of the Mind
The Dragon
The Firebugs
The Tooth Collector
Mother Goose
Two Person Show
Orchestra and Rock Band
Midnight Choir
Beaverchief
The Walkabouts
The Squirrels
Jeremy Enigk and Fire Theft
Trillian Green
Simon Asher
Songs
Alphabetical Listing of some songs by Mark Nichols
Old Songs (before 1982)
Film Scores
A Relative Thing
Farewell to Harry
One
Roman Paris
Swimming for Bottom
Flared Pants
End of the Icon
Films (Directed by Mark Nichols)
Maximum Impact Performance Squad
Video Demo Reel
Interviews, Interviews! (w/ Amy Rider)
M & M
Little Boy Goes to Hell Live @ Open Circle
Two-Person Show
Holes (w/ Amy Rider)
The Mummers (Documentary)
Walkabouts in Europe (Documentary)
Opportunity Somalia (w/ Amy Rider)
Open Circle Chidlren's Project (Documentary)
Utilikilts Mock-u-mercial
Peepolykus

 

 

 

 

*Disclaimer: This show is in the process of being composed. These are composer DEMOS and are sloppy and quick for writing and learning purposes. All songs ©2006 by Mark Nichols. The Really Big Publishing House, ASCAP. Email: info@thereallybig.com
 
PART 1
1) Once Upon A Time
2) Appeals to the King
3) The Procession into Church
4) The City is Still Part 1
  The City is Still Part 2
5) Blind Man
6) The Overthrow
7) I Will Have Been Waiting
8) Transition To Meyhem
9) And the Child Called to Her
 
PART 2
10) Barefoot Girl
11) The River Sirra
12) Nobody Wants You Underscore
13) Because She's Free
14) Escaping the Ironshirts
15) Nobody Wants You - Julie
16) Things Dont Always Go The Way Theyre Planned
.
PART 3
17) Seven Days
18). The Sister was so Ill
19) Somewhere In Between - Julie. C minor.
20) The Wedding
21) The Drunken Peasant Song
22) Oh, Confusion
23) Maritial Argument Underscore
24) As She Sat By the Stream
25) So Many Words Part 1
25) So Many Words Part 2
26) Soldiers taking Michael Away
27) Who Will Decide the Case?
 
PART 4
28) Hear the Story of the Judge
29) Old Begger a Bed
30) Am I Right?
31 - 34) Azdak
35) Granny Grusinia
36) Azdak Reprise
37) Disorder Came to and End
 
PART 5
38) Hear Now the Story
39) But Never Fear the Daylight
40) Chalk Circle Underscore
41) The Farewell Dance
42) And Age Of Justice

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Lyrics to the Azdak songs, by Mark Nichols and Brecht

SINGER AND CHORUS
When wisdom burned to ashes
And blood ran down the street
And rats poured from the gutters
And maggots soured the meat

When towns were set on fire
And the river of blood rose higher
And Cockroaches crawled out of every crack,
You'd kill your only friend for little Bric a brac

And the courts overflowed with schemers
And the church was made of blasphemers
Your son begged food from the lowliest poor
Your wife became a festering whore

And The Only one on the level
Is the man up there on the bench…
Who can it be? Who can it be?
Azdak!

#32 AZDAK PART 2
(CUE: "Next Cases!)

Men won't do much for a shilling
But for a pound they might be willing
20 pounds and it's in the sack
50 pounds and he won't be back
As for those without out a penny
As for those without a horse
They've got only one recourse
A lone and honest legal force
Who can it be? Who can it be?
Azdak!


#33 AZDAK PART 3
Cue: "So the court can inspect the scene of the crime.")

All mankind should love each other
But bring an ax when you talk to your brother
What miracles of preaching
A good sharp blade can do
His honor of the high court knew
And understood it too!

When the sharks the sharks devour
Little fish will have their hour
Tis fishy to fix the scales of power
Thankfully, he's in the ivory tower
The poor man's magistrate…
Who's the man to seal your fate
The one, the only potentate
Who's the wise? Who's the great?
Who Can it be? Who can it be?
Azdak!

He gives to the forsaken
All the riches from the rich that he hath taken
Good and evil man he,
Smiled up on Grusinia's Granny
Our man's Neither mamby,
Nor is our man pamby
Justice for nothing, mercy for free
Give it to the poor, give it to me
Who can it be? Who can it be?
Azdak!

#36 AZDAK PART 4

The drowning, he did save them
Broken laws like breath he gave them
justice to the poor and lowly
Like an angel, not so holy
Swim them all to the shore on his tired, crooked back

For two years 'twas his pleasure
Give the beasts of prey his measure
From the forests to the hallows
He could smell the dung from the gallows
In the use of the noose he was never slack
Like a cornered wolf he would take on the pack
The only one with the point
Is the man sitting there on the tack
Who can it be? Who can it be?... Azdak.

The Caucasian Chalk Circle

Brecht

Another massive project directed by my old friend Chris Petit (The Dragon, Firebugs), for Whitman College, Walla Walla. The show opens March 2nd.

These are demos of original music written by Mark Nichols for Berthold Brecht's "Caucasian Chalk Circle." These songs are inspired by the music from Grusinia (aka Georgia, Russia). The play is about fairness and equality, status and responsibility among other things. Brecht's lyrics and dramatic situations are always complex and rich, and the lyrics from play are no exception.

The Caucasian Chalk Circle is set in the land of Grusinia, Russia. Part one tells of a young maid who escapes a political overthrow with a child not her own. In the second part we see them bonding and escaping the soldiers. In the third part we see her losing herself to a life in sacrifice for the child. In the fourth part, we meet the renagade and complex judge, Azdak, and in the fifth part we see the trial of our heroine as she attempts to keep the child rather than give it back to the irresponsible governor's wife.

The following images are from Whitman College's (Harper Joy Theater's) production of the play, directed by Chris Petit March 2006. All photos by Mark Nichols.

Barefoot Girl
 
Grusia's groom and his mother
The wedding
Grusian is encouraged by the chorus to sing
Azdak and Granny Grusinia
The Chorus and Singer
The Wedding Band
 

If you are interested in producing this play and using this music. You'll, of course, need to clear the rights for the play with Samuel French, then email me and we'll negotiate a fair price for the music. I'll send or email you the sheet music, along with backing tapes, or whatever you may need, (like minidisk no-vocals tracks.) There is complete sheet music for this show as PDF files available. Click here for an example file.

email: mn(at)thereallybig.com

 

 

 

This CD is available from the Really Big Production Co. email: info@thereallybig.com. All Songs ©2005 Mark Nichols The Really Big Publishing House, ASCAP
1) The Marvelous Toy
2) Nina's Daydream
3) Treplev's Revision
4) Your Plays Touch No One
5) My Thoughts
6) The Metephor Song
7) Dance Of The Sprites
8) Badada
9) Scene Change With Extreme Grace, subtly Done by Actors
10) Having Achieved Nothing
11) Once Found Rest
12) Then, A Disturbing Interlude
13) Blah
14) Serenity is a Kind Illusion
15) Goat Dance
16) Never Forget Me
17) Following That
18). A Scene Change Between Friends
19) Marvelous Toy Reprise
20) Dance of the Teacups
21) Treplevs Crazy Dance
22) Dance of The Dying Seagulls
23) The Longest Ending Ever

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23 Seagull Variations

 

A pet project of collaborator, Director, Bob McAllister. This show was a truly original and heartfelt piece. The Nina Variations, written by Steven Dietz, was the text used in the production at Bainbridge High School in fall of '05. The stage exploded with neosurrealism. Songs were added and dances, like the infamous TEACUP DANCE, where the audience experiences five ballet dancers performing wearing only large teacups, were painstakingly woven into the 39 repetitions of "The Seagull's" last scenes between Nina and Treplev. Bob's passion, Dietz's deep and beautifully written script and this music helped create a theater atmosphere that was hypnotic, creepy and sublime.

*Try looping one of these piece and letting it run for an hour or two. New age pop for the neo new age hipster. Note: If you burn a cd of these songs, remember that there are no two-second gaps between songs, the whole thing is one continuous song.

 

 

 

 

This CD is available from CD Baby and also visit "Awesome" at www.awesometheband.com

EXCERPTS from CD Baby

1. Delaware
2. Raising of the Flag / Factman
3. When it Rains in the Middle of the Ocean
4. Soliloquy
5. Del
6. Waffleman
7. Fuba Wuba
8. Zeno's Rock
9. Cold Water Tune
10. Are You Aware
11. Ukelele Forest
12. Gone
13. American Boyfriend
14. Night Rainbow
15. Rob In Space
16. Where Did You Go

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"Awesome" Delaware

 

Produced and mixed in 8 days at Avast Recording, Seattle, by Mark Nichols, "Awesome" the band and Director, Matt Fontaine, collaborated with writer Tim Sanders and created this amazing theater album. The show got stellar reviews.

 

 

 

This 12 Minute movie is still in development. If you would like to show it publicly for any reason, contact us at www.info@thereallybig.com

Quicktime

Windows Media

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Maximum Impact Performance Squad

 

A MiPS. and Mark Nichols Short Film, Starring Evan Mosher and Kirk Andersen Julie Lewis and Ian Bell MAXIMUM IMPACT PERFORMANCE SQUAD Cameras by Nick Vroman & Mark Nichols Boom by Aidan Fay Directed & Edited by Mark Nichols

"Awesome" the bands Drummer/Singer and Trumpetist/Singer become three different characters in this weird/funny story of two regular guys looking for a place to shoot a short film. On their quest they come across the MAXIMUM IMPACT PERFORMANCE SQUAD, a pair of psychologists, and a passive aggressive coffee shop girl and her boss (Julie Lewis & Ian Bell).

 

 

 
The following are demos performed by Mark Nichols with Carla Torgerson playing the part of Joe's wife Sara. Joe Bean is ©2003 by Mark Nichols
 
ACT 1
1) Overture
2) Time to Get Back to Black and White
3) Joe Bean
4) Afraid
5) A Rich Man
6) Repo Man/ Cryin' Shame
  Got To Get Down
7) If God is Good
8) Poor Young Lad (Billy Gates)
9) Friendly Fire
Friendly Fire & The Worms (Video Clip)
10) The Worms
11) Faith In Desperation
12) Skin For Skin
13) It's Time to Go, Joe
14) Only A Show
 
ACT 2
  Wide Space Between Words
  Joe Beans Bean Seen
15) Don't Despair
16) Sufferin' Joe
17) Sufferers Anonymous
Sufferers Anonymous (Video Clip)
18). The Herbalist
19) The Accupuncturist
20). Everything
21) Take it To the End (Suicide God)
Take it To The End
22) Why?
Why? (Video Clip)
23) Where Were You?
Where Were You? (Video Clip
24)